Renowned filmmaker Martin Scorsese’s latest venture, ‘Killers of the Flower Moon’, featuring the dynamic duo of Leonardo DiCaprio and Robert De Niro, offers a visually immersive journey through the 1910-20s Oklahoma countryside. While the film presents a nuanced portrayal of the Osage community, it lacks the urgency that characterized Scorsese’s previous works. Despite the glossy yet touristy lens of cinematographer Rodrigo Prieto, the movie struggles to maintain a gripping pace, stretching its runtime to a demanding 3 hours and 26 minutes.
Scorsese’s adaptation of David Grann’s novel attempts to infuse the Western genre with a sense of foreboding, as the white men’s cowboy antics gradually give way to the impending devastation. Composer Robbie Robertson’s sporadic Western score and the inclusion of country music serve as poignant contrasts to the bloodshed depicted on screen, but they fail to fully compensate for the film’s sluggish pacing.
However, the performances of the lead actors shine through the film’s shortcomings. Leonardo DiCaprio impressively sheds his vanity, embodying a disoriented yet morally conflicted character. Meanwhile, Robert De Niro revels in his role as the menacing William Hale, skillfully portraying the evil that lurks beneath a polished facade. Additionally, Lily Gladstone’s portrayal of Mollie captivates audiences, leaving a notable impact despite her character’s eventual decline.
Ultimately, Scorsese’s adaptation, while a commendable cinematic endeavor, falls short of delivering the intensity and urgency expected of a crime thriller. Nonetheless, the filmmaker’s personal investment in the project is palpable, evident in the meticulous execution and heartfelt narration that bring the story to life on the screen.